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  • Home
  • About
    • Mission Statement
    • Leadership
    • Acting Ensemble
    • DEI Statement and Plan
  • Now Playing
    • Untitled Diary Play
  • Past Productions
  • Writers' Group
    • What's the Writers' Group?
    • The Plays
  • Support Us
  • Contact Us
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Untitled Diary Play Digital Playbill

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About the Cast and Crew

Bryanna Lee (Playwright/Performer)

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Bryanna Lee graduated from Aquinas College with majors in Theatre for Change and Sustainable Business, and has since been finding new ways to infuse her passion for community, sustainability, and meaningful art into her work and life. Some of her favorite previous roles include Kendra in Gloria, Hamlet in Perchance to Dream, Melibea in The Illusion, and Minnie in the terrible girls. When she's not on stage, Bryanna works as a sustainability consultant, voice actor, and audiobook narrator.


​Caitlin Hart
(Director/Producer)

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Caitlin Hart is a theatre director and intimacy professional in theatre and film. She holds a B.A. in Theatre Arts and completed the Atlantic Theatre company’s two-year Professional Acting Conservatory in NYC. Some favorite directing credits include Indecent by Paula Vogel (Michigan Premiere), Romeo and Juliet (Broadway World 2018 Best Play Nominee), Macbeth (Broadway World 2017 Best Play Nominee) and The Revolutionists (Grand Rapids Civic Theatre). She is the Resident Director of ‘Capitol Comedy’ and helms their new touring production yearly. She has produced and directed many new plays, new play development workshops, staged readings, and instructed professional acting and intimacy choreography workshops. She is a proud associate member of SDC. You can see her resume and learn more about her work at caitlinhartdirector.com.


​Ynika Yuag
(Associate Producer/Dramaturg)

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Ynika Pocopio Yuag is a Queer, Indigenous, and Filipino theatre artist focused in directing, intimacy choreography, and new work development. They currently serve as the Production Coordinator at Woolly Mammoth Theatre Company in Washington, DC, where they were previously the Lin-Manuel Miranda Family Fellow in New Work. They are also proud to serve on the board of directors at Face Off Theatre Company in Kalamazoo, MI where they were previously the Production Manager. Directing credits include Fabulation by Lynn Nottage (FOTC) and Dance Again by Emilio Rodriguez (Queer Theatre Kalamazoo). Favorite intimacy choreography credits include Dontrell, Who Kissed the Sea by Nathan Alan Davis (WMU/FOTC) and Indecent by Paula Vogel (Jewish Theatre Grand Rapids). BA Theatre Arts and Psychology from Kalamazoo College. ynikayuag.com.


​Jude Libner
​(Performer)

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​Emma Hill 
​(Stage Manager)

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Emma has been working backstage on productions in Grand Rapids in 2019 with Circle Theatre Grand Rapids and Grand Rapids Civic Theater. Some of her proudest credits include Assistant Stage Manager for Monty Python's Spamalot (Circle Theatre 2024) and Assistant Stage Manager for Sweeney Todd (Circle Theatre 2023). This is her first production with The Vagrancy and they could not be happier to be working with this team of artists

Alexa Lunt
​(Assistant Stage Manager/Scenic Artist)

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Alexa Lunt has been involved in the Grand Rapids Theater scene since 2016. Some of her favorite behind the scenes credits include The Little Mermaid, Newsies, Frozen Jr, Rent, and Indecent. She spends most of her time at Devos Performance Hall, and Van Andel Arena where she works in the box office as an Assistant Box Office Manager. She is thankful for all the support and opportunities that have set up the path to do what she loves.


​EllyGene DeGraaf
(Assistant Stage Manager/Lighting Tech)

This is EllyGene's first project with The Vagrancy, and she is so excited to be one of the Assistant Stage Managers. When she is not working as an ASM she is often found working as a carpenter for GRCC, Actors Theater, Jewish Theater and others. She has most recently been a carpenter for the Rev Theater company in Auburn NY for their summer 2024 season. She would like to thank her friends and family for all their support and hopes you all enjoy the show!

Erica Soto 
(Assistant Director)

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Erica Soto is a musician, theater director, artivist (artist-activist), and educator within the Grand Rapids Public Schools District. She is a lead vocalist for Bluewater Kings Band, singing professionally throughout the state of Michigan.
Their experiences in directing include Ten For All- Adult Drama Category at Civic Theater, Afternoon At the Seaside, The Lion King Jr., Pirates! The Musical, Aladdin Jr.- National Broadway Theatre Company and City Wide Drama Club - Camp Rock. She is excited to join The Vagrancy in this production as Assistant Director.

Erica has featured in performances with Grammy Award winning artist, NE-YO and Leslie Odom Jr. with the Community Choir of the Grand Rapids Symphony with Soul and La Sinfonía Navideña (Grand Rapids Symphony), Little Shop of Horrors (Circle Theatre), Cabaret (Circle Theatre), Chicago (Betka-Pope Productions), Blossoming (The Vagrancy), A Streetcar Named Desire (Civic Theater), Exit Strategy (Faceoff Theater Company), singing the national anthem at the Detroit Tigers with the Michigan School Vocal Music Association, and various concert series within the theater community.

Caleb Francis Jenkins
​(Video & Projection Designer)

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Caleb Francis Jenkins (he/him) is a writer, director, and filmmaker. He graduated from Aquinas College where he studied Theatre & Community Leadership. He has since collaborated on several theatre and film projects in Grand Rapids and Los Angeles. He most recently worked as a video designer for Oil & Sugar presented by Actors’ Theatre. This is Caleb’s first production with The Vagrancy. In his not so existent “free time,” he serves on the board of the Grand Rapids Film Society helping program awesome film screenings at Wealthy Theatre. He is also a board director for the Van Singel Fine Arts Foundation, passionate about fostering and strengthening community and student engagement in the fine arts. Caleb makes films with his pals under his production company, Diner Booth Productions. They just wrapped post production on their experimental sci-fi film Source, and are currently in pre-production on the next project.

Matt Richter
​(Sound Designer)

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Matt Richter is an award-winning designer based in Los Angeles. He serves as the full time technical director and designer in residence for the LA LGBT Center. He has designed for numerous companies around the Los Angeles area, including Rogue Machine, The Echo, Open Fist, Theatre of NOTE, Sacred Fools and Son of Semele. Matt also scores music as autodealer (autodealermusic.net) and as a duo with Jason Lamoreaux under the name Transverse. He lives in the Valley with his wife and two cats. More info at mattrichter.net.

Emma Dunlop
​(Props Designer)

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Emma Dunlop is an actor/artist with a B.F.A. in Acting from Western Michigan University. Emma has an extensive list of regional acting credits, including roles in Fat Pig (Helen), Carrie (Carrie), and The Rocky Horror Show (Janet). Emma brings a deep passion for storytelling both on and off the stage and she’s excited to expand her theatre skills behind the scenes and contribute to the magic of this production.
emmadunlop.com

Jess Reilly 
(QLab Queen)

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Jess is excited to be brought on board as the Qlab Queen for this production. This is her first show with The Vagrancy, and very excited to collaborate with new artists. Jess is a seasoned Stage Manager, and well rounded technician and designer. She's excited to be flexing her Qlab skills for the first time since leaving Orlando and moving here in '22.

Gabi Salazar
(Talkback Facilitator)

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Gabi Salazar is a Grand Rapids native actor and singer. They have been in local Grand Rapids shows like The Rocky Horror Picture Show and Carrie the Musical at Pyramid Scheme (Betka-Pope Productions) and Collective Rage: A Play of Five Betties at Actors Theater Grand Rapids. Gabi had their first short film debut with playing the supporting role of Aliyah in the short film Volador (2024, Rice Pictures). They are very excited to be able to witness a beautiful story, and lead Q&A for the Untitled Diary Play.

Aliyah Douglas 
(Marketing & Communications Intern)

Lilleigh Fawn Christopher
​(Box Office Manager)

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 Lilleigh Fawn Christopher (they/she) is a Grand Rapids-based entertainer and director. Recent area credits include Urinetown (Ruby the Stockfish) at Circle Theatre, Chicago (Ensemble/Swing) and The Rocky Horror Show (Phantom/Janet U/S) with Betka-Pope Productions, and Almost, Maine (Glory/Sandrine) at LowellArts. Recent directorial credits include Best Kept Secrets at LowellArts and Dr. Horrible's Sing-Along Blog with Betka-Pope Productions. Outside of theatre, they are a substitute teacher at GRPS and other nearby school districts, and a crime tour guide for BPP. They are very honored to be here for this amazing piece of art!

Special Thanks:

First United Methodist Church, Sami Marasigan, Ambrosia Theater, Jay Harnish, Zyra Castillo, PrintGR, Steve Madar, Noah King-Bates, Bub Fish & Aaron Matijestic 

A Dedication: Randy Wyatt 
from Bryanna Lee
In 2018, I performed “Excerpts from my 5th Grade Diary” as a monologue for my final in Randy Wyatt’s acting class. Randy jokingly pulled me aside and whispered, “quit everything you’re doing, make this a play, and take it on the road.”

When I began creating this piece earlier this year, Caitlin asked me how I was feeling. Naturally, we anticipated emotional reactions from combing through years of my past, but I instead found myself responding, “I feel sad. I’m missing Randy.”

When I got stuck in the script, I missed Randy. When I was tangled in story lines, I wished that I could workshop them with Randy. And when I finally dug myself out of these tornadoes and began making discoveries, I knew Randy would have been staring at me with a knowing smirk, having understood this all along, just waiting for me to figure it out for myself.

When Randy passed last year, it was hard to feel or speak or say anything that felt meaningful. What do you say about the person who completely impacted the trajectory of your life? Randy connected my passion for change to my passion for theatre. He showed me that there is hope in art, and when I can’t find hope– I can create. 
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I came across the journals from the acting class where this concept originated. I think the final entry sums up both lessons from Randy and from this process… “I almost wish I knew what I know now at the beginning of this course. The discoveries that I made about myself as an actor and as a human weren’t anything major in the grand scheme of things. I wonder what I could have discovered and accomplished in this class if I had just let myself.”

This activity is supported by the Michigan Council for Arts and Cultural Affairs, administered by LOWELL AREA ARTS COUNCILS INC, and is made possible in part by a grant from Michigan Humanities, an affiliate of the National Endowment for the Humanities.

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